Rp 65.000


Bahan Berkualitas Untuk Konveksi Fashion

Pusat Konveksi Di Indonesia


Berbagai Jenis Bahan Kaos T-Shirt

Sebagai pusat pembuatan konveksi, kami menyediakan banyak variasi kain yang bisa kami olah menjadi produk konveksi berkualitas. Ada banyak kain yang tersedia di pasaran, namun akan kami uraikan bahan-bahan yang sangat banyak diminati oleh customer kami.

Kain-kain yang kami jelaskan di bawah ini, umumnya digunakan untuk kaos tipe T-shirt (kaos oblong), Untuk kaos tipe polo shirt/ Berkerah biasanya digunakan kain rajutan cotton pique / lacoste. Untuk penjelasan mengenai kain rajutan Sedangkan untuk jenis jaket (jaket, jumper, cardigan, ataupun hoodie) biasanya digunakan bahan fleece. Jika anda mengutamakan kenyamanan ketika pemakaian utamakan memilih bahan yang asli 100% katun.


1. KATUN (combed 20s, 24s, 30s)

Bahan katun combed telah terbuat murni 100% dari serat kapas alami. Bahan combed berkarakteristik telah memiliki tekstur yang sangat halus, dingin, nyaman, dan mudah menyerap keringat, sehingga sangat nyaman dan cocok dipakai di Negara tropis seperti Indonesia. Kain Combed telah memiliki serat benang yang lebih halus dan rata sehingga penampilannya akan menjadi lebih halus , rata dan rapih. Ada beberapa jenis kain combed yang ada di pasaran. Hal ini dapat dibedakan berdasarkan jenis benang yang digunakan serta setting gramasinya. Kami juga telah menyediakan 3 varian combed, Ada combed 20s, 24s, 30s. hal yang telah membedakan adalah ketebalan kain combed. Kain 20s telah memiliki ketebalan yang paling tebal, sedangkan combed 30s telah memiliki ketebalan yang paling tipis. Kain Combed 20s juga merupakan kain yang paling banyak dipakai dan menjadi favorit kaos distro karena selain kenyamanan ketika digunakan, harganya juga tidak mahal.

2. CARDET (20s, 30s)

Dibandingkan dengan kain combed , kain cotton cardet telah memiliki serat benang yang kurang halus. Kain cardet juga merupakan kain KW1 nya kain combed sehingga Hasil rajutan dan penampilan bahan kurang halus dan kurang rata. karena harganya yang relatif lebih murah jika dibandingkan dengan cotton combed, bahan cotton cardet sering digunakan untuk kaos-kaos dengan target pasar kelas menengah, misalnya untuk kaos pabrik, seragam buruh, dan juga kaos oblong olahraga.


Polyester sesuai namanya, juga merupakan bahan serat sintetis yang telah terbuat dari bahan ester (dalam hal ini hasil sampingan minyak buni dan dibuat bahan berupa serat fiberpoly). Dibandingkan katun, kain jenis ini lebih tipis, agak kasar, dan tidak bisa menyerap keringat sehingga sangat panas ketika dipakai.


seiring dengan kemajuan teknologi, terpengaruh juga teknologi pengolahan bahan kain. Banyak bahan kain hasil dari penggabungan katun dan Polyester, salah satunya adalah TC. Jenis bahan ini juga merupakan campuran dari 35% cotton combed dan 65% polyester. TC ini seperti PE, terasas panas ketika memakainya karena kurang bisa menyerap keringat. Namun kelebihannya bahan ini lebih tahan kusut, dan tidak mudah melar meski sudah lama dipakai.


Viscose biasa juga disebut rayon. Sebuah bahan serat sintesa celulosa organic (buatan manusia) yang biasa digunakan sebagai bahan kain. Teksturnya telah memiliki kesamaan dengan tekstur kapas. Viscose biasanya digunakan untuk dapat menambahkan kenyamanan  pada serat sintesis dan juga menambah kecerahan warna. Serat Viscose mempunyai tahanan kelembaban yang lebih tinggi, kecemerlangan warna yang lebih baik dan lebih lembut dibanding kapas. Namun kain ini juga terkesan mewah, sehingga harganya mahal dan jarang tersedia di pasaran.


Jenis bahan kaos ini adalah campuran dari 55% Cotton Combed dan 45% Viscose. Kelebihan dari bahan ini adalah tingkat shrinkage-nya (susut pola) lebih kecil dari bahan Cotton. Jenis bahan ini juga bersifat menyerap keringat.


Jenis bahan ini telah terbuat dari plastic dan sangat tipis, oleh karena itu harganya sangat murah. Namun bahan ini, bisa dibilang kurang layak dan nyaman untuk dijadikan kaos. Biasanya pembuatan kaos dengan bahan ini dilakukan jika ingin membuat kaos dengan jumlah massal tetapi dana yang tersedia tidak terlalu banyak. Bahan ini banyak digunakan untuk keperluan kampanye partai

Editor : Dian Sukmawati


Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.


But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Native American Actors Work to Overcome a Long-Documented Bias

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